Television – Carol Channing http://carolchanning.org/ Mon, 14 Nov 2022 21:35:38 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://carolchanning.org/wp-content/uploads/2021/06/icon-2021-06-29T131401.023-150x150.png Television – Carol Channing http://carolchanning.org/ 32 32 D Patrick Laplatney Acquires 10,000 Shares of Gray Television, Inc. (NYSE:GTN) Stock https://carolchanning.org/d-patrick-laplatney-acquires-10000-shares-of-gray-television-inc-nysegtn-stock/ Mon, 14 Nov 2022 20:29:17 +0000 https://carolchanning.org/d-patrick-laplatney-acquires-10000-shares-of-gray-television-inc-nysegtn-stock/ Gray Television, Inc. (NYSE:GTN – Get Rating) Director D Patrick Laplatney purchased 10,000 shares of Gray Television in a transaction on Thursday, November 10. The shares were acquired at an average price of $9.99 per share, for a total transaction of $99,900.00. Following the completion of the acquisition, the director now owns 462,639 shares of […]]]>

Gray Television, Inc. (NYSE:GTN – Get Rating) Director D Patrick Laplatney purchased 10,000 shares of Gray Television in a transaction on Thursday, November 10. The shares were acquired at an average price of $9.99 per share, for a total transaction of $99,900.00. Following the completion of the acquisition, the director now owns 462,639 shares of the company, valued at approximately $4,621,763.61. The acquisition was disclosed in a legal filing with the SEC, accessible via this link.

Gray TV price performance

Shares of NYSE:GTN traded at $0.34 during Monday’s trading, hitting $10.79. 80,796 shares of the company were traded, against an average volume of 764,416. The company has a market capitalization of $1.00 billion, a PE ratio of 3.97, a PEG ratio of 0.19 and a beta of 1.65. The company has a quick ratio of 2.54, a current ratio of 2.09 and a debt ratio of 3.41. Gray Television, Inc. has a 52-week low of $8.61 and a 52-week high of $24.81. The company’s 50-day moving average is $15.29 and its two-hundred-day moving average is $17.55.

Gray Television Dividend Announcement

The company also recently declared a quarterly dividend, which will be paid on Friday, December 30. Shareholders of record on Thursday, December 15 will receive a dividend of $0.08 per share. The ex-date of this dividend is Wednesday, December 14. This represents an annualized dividend of $0.32 and a dividend yield of 2.97%. Gray Television’s dividend payout ratio (DPR) is currently 12.17%.

Analysts set new price targets

GTN has been the subject of several recent analyst reports. Barrington Research cut its price target on Gray Television from $25.00 to $15.00 in a report released Thursday. Wells Fargo & Company downgraded shares of Gray Television from an “overweight” rating to an “underweight” rating and lowered its price target for the stock from $25.00 to $7.00 in a report research on Wednesday, November 9. Stephens cut his price target on Gray Television shares from $18.00 to $12.00 and set an “equal weight” rating on the stock in a Monday, Nov. 7 research report. Finally, StockNews.com upgraded Gray Television from a “sell” rating to a “hold” rating in a Monday, Nov. 7 research report.

Institutional entries and exits

Major investors have recently increased or reduced their stakes in the company. Nisa Investment Advisors LLC acquired a new stake in shares of Gray Television in Q1 worth approximately $26,000. Captrust Financial Advisors increased its equity stake in Gray Television by 219.5% in Q2. Captrust Financial Advisors now owns 1,556 shares of the company worth $26,000 after acquiring 1,069 additional shares in the last quarter. Prospera Financial Services Inc bought a new position in Gray Television in Q1 worth approximately $44,000. First Horizon Advisors Inc. acquired a new position in Gray Television during Q2 worth approximately $39,000. Finally, UMB Bank na increased its stake in Gray Television by 35.9% during the 2nd quarter. UMB Bank na now owns 2,378 shares of the company worth $40,000 after buying an additional 628 shares in the last quarter. Institutional investors hold 80.61% of the company’s shares.

About Gray Television

(Get a rating)

Gray Television, Inc, a television broadcasting company, owns and/or operates television stations and digital assets in the United States. It also carries secondary digital channels affiliated with ABC, CBS, NBC and FOX, as well as various other networks and program services, including CW Plus Network, MY Network, the MeTV Network, Justice, This TV Network, Antenna TV, Telemundo, Cozi, Heroes and Icons, and FILMS! Network; and local news/weather channels in various markets.

Further reading

Insider buying and selling by quarter for Gray Television (NYSE:GTN)

This instant news alert was powered by MarketBeat’s narrative science technology and financial data to provide readers with the fastest and most accurate reports. This story was reviewed by MarketBeat’s editorial team prior to publication. Please send questions or comments about this story to contact@marketbeat.com.

Before you consider Gray Television, you’ll want to hear this.

MarketBeat tracks daily the highest rated and most successful research analysts on Wall Street and the stocks they recommend to their clients. MarketBeat has identified the five stocks that top analysts are quietly whispering to their clients to buy now before the market spreads…and Gray Television wasn’t on the list.

While Gray Television currently has a “Hold” rating among analysts, top-rated analysts believe these five stocks are better buys.

See the five actions here

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50 Years of HBO: A History of Historic Television https://carolchanning.org/50-years-of-hbo-a-history-of-historic-television/ Sat, 12 Nov 2022 06:06:28 +0000 https://carolchanning.org/50-years-of-hbo-a-history-of-historic-television/ This week marks the 50th anniversary of American premium television channel HBO. When HBO was launched in 1972, television was the inferior art form to cinema. Today, it seems that the vast majority of on-screen prestige comes from our televisions. Movie stars who would once have seen a series as beneath them are now flocking […]]]>

This week marks the 50th anniversary of American premium television channel HBO.

When HBO was launched in 1972, television was the inferior art form to cinema. Today, it seems that the vast majority of on-screen prestige comes from our televisions.

Movie stars who would once have seen a series as beneath them are now flocking to tentpole shows for the opportunity to land a run in the kind of big-budget dramatic storylines that aren’t so easy to make anymore. the big screen.

It’s a massive shift in the market, and whenever you inspect one of the attitude-shifting shows, HBO is never far away.

Almost all of the big name TV shows are HBO products. The Sopranos, The Wire, Sex and the City, game of thrones and Succession, are just the tip of the network iceberg.

So how did America’s first subscription network change the game?

A sporting comeback

On November 8, 1972, HBO launched across the United States with just 365 paying subscribers. The first broadcast he did was of a hockey game, the NHL game between the New York Rangers and the Vancouver Canucks which was happening live at Madison Square Gardens.

At the time, there were no shows commissioned by HBO, but alongside sports, the network also aired movies. The hockey game was followed by Paul Newman’s 1971 film “Sometimes a Great Nation”.

Subscription to HBO cost €5.83 ($6) per month at the time, and the channel struggled to attract subscribers.

His fortunes, however, would soon change. As the pioneer of pay-TV, HBO only had to wait a few years before lawsuits and pressure from other companies allowed cable TV to proliferate in the United States.

Cable television users grew from 50,000 in 1974 to 1.5 million in 1978. By 1977, HBO was making a profit and the company’s future seemed set.

In 1975, HBO premiered its first comedy special, “An Evening with Robert Klein.” This, alongside an anthology comedy series “On Location,” laid the groundwork for HBO to become an important stepping stone in a comedian’s career.

HBO continued to grow, and in 1983 the decision was made for the channel to begin programming its own material. Original movies and miniseries made for cable with budgets far exceeding traditional TV shows.

“Not Necessarily the News” debuted in 1983, a satirical news program that is the stylistic grandfather of today’s “Last Week Tonight with John Oliver.”

The channel’s first solo-produced film was “The Terry Fox Story”. Released in 1983, it was the very first film produced for cable television.

The stage was set for HBO to become one of the most influential broadcasters in history.

A single diffuser

Thanks to its subscription model, HBO has never had to pander to the needs of advertisers. Instead, it’s still solely focused on bringing quality TV and movies that audiences will connect with.

Seems obvious, doesn’t it? Make viewers envious, and they will come. But HBO’s attitude has always been one step apart.

Decades before streaming platforms showed up to independently produce their shows, HBO worked on the fact that audiences wanted big-budget, prestige shows that were worth watching.

The dramatic, comedic burst that HBO was ready to schedule when other American networks balked at content, came in the late 90s. ‘Oz’, ‘Sex and the City’ and ‘The Sopranos’ were all released for immediate attention.

All three dealt with adult themes in a way that shows on other networks then wouldn’t dare, and often still don’t.

Since then, they have distinguished themselves by the importance they place on quality rather than quantity.

Streamers are now adopting an in-house production method similar to that pioneered by HBO. But the breadth of broadcasts these streamers make means the quality just isn’t up to snuff.

The proof is in the pudding. HBO has dominated the Emmys since the ’90s. But it was at the 2001 Emmys that the network proudly scored more nominations in major categories than any other network.

At the 53rd Primetime Emmy Awards, HBO was nominated for 44 major awards, including 14 for The Sopranos alone. In the end, HBO walked away with eight awards, with The Sopranos winning three.

Since the 90s, the list of incredible shows produced by HBO is almost endless. From the fantasy epic “The House of the Dragon” to the family drama “Succession” and the comedy “The White Lotus”, HBO hasn’t given up on quality.

To this year Emmy Awards, HBO and HBO Max won 38 awards, with 50 nominations in the main categories and 140 nominations overall. It’s an incredible achievement for the network, which began with a hockey game broadcast to less than 400 people.

There’s a reason his catchphrase is “It’s not TV, it’s HBO.”

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Rip The Vampire Academy TV Series Part 2 – The Scarlet https://carolchanning.org/rip-the-vampire-academy-tv-series-part-2-the-scarlet/ Wed, 09 Nov 2022 20:02:34 +0000 https://carolchanning.org/rip-the-vampire-academy-tv-series-part-2-the-scarlet/ Note: Before you start ripping through these next episodes, please know that I wasn’t taking notes for these, so a lot of what I’m going to cover is things I remember from episodes 1-4, so this got a little out of order. However, I got my hands on a notebook for the start of episode […]]]>

Note: Before you start ripping through these next episodes, please know that I wasn’t taking notes for these, so a lot of what I’m going to cover is things I remember from episodes 1-4, so this got a little out of order. However, I got my hands on a notebook for the start of episode five.

On that note, let’s dive into Episodes 1-4.

In the show, we discover that the attack on Christian Ozera’s old high school was carried out by his parents in an attempt to find him. Christian’s mother sends him coordinates to meet him, and since Christian is an irrational person, he decides to meet her. In the novels, however, Christian’s parents are dead. They were hunted down and killed by Dhampir guardians after willingly transforming Strigoi. The telltale sign that someone has transformed Strigoi is the presence of a very thin red line around his pupils and his completely faded eye. Also, Strigoi don’t have a soul, so any love Christian’s parents had for him when they were Moroi, had turned into lust when they became Strigoi. The show kept this plot point, while adding a visual aspect to it: Strigoi resemble the psychological monsters they are in the show. In the books, although Christian cared about his parents, he didn’t justify their behavior. Despite the assumption that he would end up like his parents, he became one of the biggest advocates of fighting lessons for the Moroi.

In the show, the royal Moroi state that the Dhampir women must breed with the Moroi to keep the Dhampir population alive. This law was passed after recent Strigoi attacks in the Moroi community caused a lot of unrest. However, in the books, this was approached differently. There was talk of forcing Dhampir and Moroi relations to increase the number of guardians, but there was no separate law on this. The law that was passed stated that dhampirs would graduate to work at the age of sixteen instead of eighteen, as most people would continue to be tutors immediately upon graduation, despite age law. Queen Tatiana attempted to ban extremist groups who lobbied for the law passed by the Royal Moroi on the show.

On the push for more goalies, let’s talk about how Rose gets to where she is. When the Rose of the novel leaves the academy, she is gone for two years and therefore misses two years of training. When she returns, part of her “probation” is that she has to do extra training sessions with Dimitri to catch up with the rest of her class. Dimitri is reluctant at first: he pleads for the school’s Moroi headmistress to allow him to return, but since he pleaded for her, he is required to observe her training. When they start training, Rose is eager to do something beyond the basics, but Dimitri admits she’s not ready. Rose is still eager to compete on the show, but is desperate for more training. However, the whole point of Rose being exceptional is that if she had stayed in school, she would have been way ahead of her classmates. The show keepers seem much stricter in the show; they have more regulations and much more intense Rose pressure than in the books. They recognize that as their numbers dwindle, they need strong, talented goalies like her on the pitch. However, Rose’s record of doing whatever she wants, regardless of what anyone else thinks, often results in the threat of the guardianship mission she craves. In the show, she is much more docile.

This change shows a difference in Rose’s character. In the novels, Rose is strong-willed and extremely reluctant to easily conform to the rules. Often the only way Rose was willing to comply was if Lissa and Dimitri were her voice of reason. The Rose who is portrayed in the series has a bit more emotional vulnerability, whereas in the books she was much more determined to keep everything to herself. The character change affects the whole vibe the show gives off. Rose also had an extremely poor attitude that often got her kicked out of class or in trouble. This development happened when she started taking Lissa’s negative spiritual effects away from him. Although not as recognizable in the first book, he developed further during the third book. However, the show seems to pick and mix different themes and plots from the book, but the show has also gone rogue in more ways than one.

A common thread between the series and the book is the concept that Moroi has too much influence over the Dhampirs. Dhampirs cannot have children with other Dhampirs, nor can they have children with humans. The only way to have a Dhampir is if a Moroi has children with a human or if a Moroi has children with a Dhampir. Queen Tatiana’s vote to lower the age edict was meant to allow the Dhampirs to retain some semblance of choice. The Moroi want to keep the Dhampirs around to protect them from the Strigoi, and the Dhampirs would cease to exist without the Moroi. Although Dhampirs may choose not to be guardians, many of them choose to be guardians.

One important factor that the series neglects to highlight is the other group of Moroi who advocate for the Moroi fight. Part of the reason the Strigoi bond with the Moroi and Dhampirs is that the Moroi depend too much on their guardians. Tasha Ozera, aunt of Christian Ozera, and her group defend Moroi fights. From now on in the show, that idea is glossed over. The Moroi in the series are much more dependent on the Dhampirs than in the books. It also caused a lot of tension between Royals and non-Royals, with the trend being that Royals were ok with pushing the Dhampirs’ limit, while non-Royals were open to the idea of ​​Moroi using the magic to learn how to fight. In both the show and the book, the royal council is divided and unwilling to consider new ideas. This is why their queen looked to André Dragomir to unite the Moroi. Now the Queen looks to Lissa, who no longer has any family to support her place on the Royal Council or to be Queen.

Stay tuned for part 3 of vampire academy

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Spanish Patent Court Upholds Patent Infringement Actions Against Telefónica Regarding Its Movistar+ Pay-TV Platform – Commentary https://carolchanning.org/spanish-patent-court-upholds-patent-infringement-actions-against-telefonica-regarding-its-movistar-pay-tv-platform-commentary/ Mon, 07 Nov 2022 00:11:32 +0000 https://carolchanning.org/spanish-patent-court-upholds-patent-infringement-actions-against-telefonica-regarding-its-movistar-pay-tv-platform-commentary/ IntroductionFactsDecisionComment Introduction On October 17, 2022, Barcelona Commercial Court No. 4 upheld the actions brought by Two-Way Media Ltd (TWM) against Telefónica, SA, Telefónica de España, SAU and DTS, Distribuidora de Televisión Digital, SAU (together, Telefónica et al) for the infringement of its patents: European patent (EP) 2278775 (EP 775); and EP 2323333 (EP 333). […]]]>

Introduction
Facts
Decision
Comment

Introduction

On October 17, 2022, Barcelona Commercial Court No. 4 upheld the actions brought by Two-Way Media Ltd (TWM) against Telefónica, SA, Telefónica de España, SAU and DTS, Distribuidora de Televisión Digital, SAU (together, Telefónica et al) for the infringement of its patents:

  • European patent (EP) 2278775 (EP 775); and
  • EP 2323333 (EP 333).

The two patents related to different aspects of Internet Protocol television technology used in the Movistar+ television platform. The judgment also dismissed the nullity actions filed by the companies of Telefónica et al against the aforementioned patents.

Facts

In July 2017, TWM sued Telefónica et al on the grounds that the Movistar+ television platform proposed, marketed and implemented by Telefónica et al fell within the scope of protection of patents EP 775 and EP 333.

Two of the defendants claimed the nullity of the two patents and the third retorted the nullity of the patents for exception. All of the defendants, however, advanced the same invalidity arguments:

  • lack of technical character of inventions;
  • the added object (three attacks per patent);
  • lack of novelty (one attack against EP 775, three attacks against EP 333); and
  • the absence of inventive step (four attacks per patent).

Telefónica et al also argued that TWM’s patents were not infringed because the technical characteristics of the Movistar+ television platform differed from the technology claimed in patents EP 775 and EP 333.

In March 2018, TWM filed its defense against the counterclaim and the nullity exception.

In July 2018, nearly a year after Telefónica et al filed their counterclaim and invalidity exception, Telefónica, SA and Acens Technology, SL (Acens) initiated a second legal proceeding. They brought a direct action for nullity, contesting the validity of patents EP 775 and EP 333 on the grounds of the lack of novelty and inventive step of the patents with regard to the new arguments and the state of the art.

TWM defended the validity of its patents and supported lis pendens between the two legal proceedings.

By order of November 24, 2020, Commercial Court No. 4 of Barcelona confirmed the lis pendens request. However, the Barcelona Court of Appeal upheld the appeal of Telefonica, SA and Acens against the aforementioned order, thus the second nullity proceedings continued.

In September 2021, the Court agreed to consolidate:

  • the infringement proceedings initiated by TWM against Telefónica et al; and
  • the invalidity proceedings initiated by Telefónica, SA and Acens.

The trial of the joined proceedings took place from May 2 to 5, 2022 and the fifth session took place on June 15, 2022.

Decision

On October 17, 2022, Commercial Court No. 4 in Barcelona rejected all nullity arguments advanced by Telefónica et al and Telefónica, SA and Acens, in both proceedings, confirming all of TWM’s arguments regarding the validity of its patents EP 775 and EP 333.

In addition, the judgment rejected all of the defendants’ non-infringement arguments, stating that the Movistar+ television platform violated patents EP 775 and EP 333. The court imposed on the defendants the legal costs arising from the actions in infringement and nullity actions filed by Telefónica. et al in the first proceeding and Telefónica, SA and Acens in the second proceeding.

Comment

The judgment touches on almost every issue related to intellectual property controversies:

  • the scope of protection of the two patents;
  • an in-depth analysis of the technical nature of the two patents and an in-depth study of the guidelines of the European Patent Office on the subject;
  • topic added;
  • inventiveness analysis – almost every step taken by Telefónica et al to perform the inventiveness analysis was controversial. Therefore, the Court analyzed almost all of them – namely:
    • application of the correct methodology;
    • the technical problem to be solved;
    • the a posteriori analysis; and
  • various other considerations, including the state of the art as of the priority date.

The statement of patent infringement led the court to order Telefónica et al to pay TWM the damages claimed in the suit. According to Spanish patent law, the calculation of damages will take place within the framework of the enforcement proceedings.

For more information on this, please contact Ana-Laura Morales and Jesús Arribas to Grau & Angulo by phone (+34 93 202 34 56) or email ([email protected] Where [email protected]). The Grau & Angulo website can be accessed at www.ga-ip.com.

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FuboTV’s U.S. subscribers at an all-time high https://carolchanning.org/fubotvs-u-s-subscribers-at-an-all-time-high/ Fri, 04 Nov 2022 12:35:54 +0000 https://carolchanning.org/fubotvs-u-s-subscribers-at-an-all-time-high/ FuboTV, the leading live sports television streaming platform, announced its financial results for the third quarter ended September 30, 2022. Revenue and subscriber growth for Fubo’s global streaming business was strong in the quarter, with revenue and subscriber growth in North America (NA) above expectations. FuboTV closed the quarter with $219.2 million (€224.1 million) in […]]]>

FuboTV, the leading live sports television streaming platform, announced its financial results for the third quarter ended September 30, 2022.

Revenue and subscriber growth for Fubo’s global streaming business was strong in the quarter, with revenue and subscriber growth in North America (NA) above expectations. FuboTV closed the quarter with $219.2 million (€224.1 million) in revenue for NA, a 40% year-over-year increase, while advertising revenue was 22, $5 million, up 21% year over year. NA’s paid subscribers hit an all-time high of 1,231,000, a 31% year-over-year increase.

In the rest of the world (ROW), the company generated $5.8 million in revenue and 358,000 total paid subscribers. ROW includes Molotov, the French live TV streaming service acquired by FuboTV in December 2021.

FuboTV ended the quarter with $307.4 million in cash and cash equivalents, restricted cash and short-term investments, and is confident in its current liquidity position. Additionally, FuboTV achieved sequential improvement in operating cash flow and year-over-year improvement in Adjusted EBITDA (AEBITDA) margin.

“Our third quarter was marked by significant progress against our long-term plan for continued growth with improved profitability along the way,” said David Gandler, co-founder and CEO of FuboTV. “Revenue and subscriber growth in our global streaming business was solid, with North American subscribers hitting a record high of 1,231,000. -form, our differentiated product experience and broad content portfolio keep them engaged – this quarter representing a record level of subscriber churn.We are more optimistic than ever on our model as consumers turn to aggregated streaming platforms that offer popular content presented to them through a personalized and personalized experience.

“We are very pleased with Fubo’s performance in the third quarter, demonstrated by double-digit year-over-year growth in North America on several of our KPIs: subscribers, total revenue and advertising revenue,” added Edgar. Bronfman Jr., executive chairman of FuboTV. . “As consumers continue to be disappointed with the many expensive and content-limited streaming services on the market, and as these streaming services turn to other monetization levers like advertising, we are excited about our positioning. unique in the market.We believe our dual subscription and advertising model delivers shareholder value, while our aggregation of premium sports, news and entertainment content is an affordable option for consumers.

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WWE uses Bodhi Hayward’s NXT exit in TV storyline https://carolchanning.org/wwe-uses-bodhi-haywards-nxt-exit-in-tv-storyline/ Wed, 02 Nov 2022 00:57:52 +0000 https://carolchanning.org/wwe-uses-bodhi-haywards-nxt-exit-in-tv-storyline/ Bodhi Hayward was in the middle of a storyline with Andre Chase when he received his release papers. Tonight, WWE referenced the Chase U alumnus to continue their TV storyline. During a backstage segment with Andre Chase on NXT this week, Thea Hale looked at the flag from the side and asked, “Who’s going to […]]]>

Bodhi Hayward was in the middle of a storyline with Andre Chase when he received his release papers. Tonight, WWE referenced the Chase U alumnus to continue their TV storyline.

During a backstage segment with Andre Chase on NXT this week, Thea Hale looked at the flag from the side and asked, “Who’s going to carry the flag?” It was an obvious reference to the liberated superstar.

Suddenly, Duke Hudson broke through a wall of paper and volunteered to carry the flag. Later, Booker T said, “That other kid got his scholarship taken away” twice. Hudson also showed extreme enthusiasm during Thea Hail’s match with Kiana James.

In the storyline, Duke Hudson has Bodhi Hayward taken over in order to take his place as a prized student at Andre Chase University. Hayward reacted to his exit from NXT in a video message where he spoke about his embarrassment and anger.

For those not in the know, WWE released several NXT stars, including Bodhi Hayward, from their contracts during the day. According to Bryan Alvarez, the company released the performers because they weren’t improving inside the ring.

What is your opinion on this story? Sound off in the comments!

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Gray Television (NYSE:GTN) downgraded by StockNews.com to “Sell” https://carolchanning.org/gray-television-nysegtn-downgraded-by-stocknews-com-to-sell/ Sun, 30 Oct 2022 03:11:29 +0000 https://carolchanning.org/gray-television-nysegtn-downgraded-by-stocknews-com-to-sell/ Gray TV (NYSE: GTN – Get Note) was downgraded by StockNews.com research analysts from a “hold” rating to a “sell” rating in a research report released Friday to clients and investors. Gray TV up 3.4% GTN traded down $0.48 during Friday’s trading, hitting $14.73. The company had a trading volume of 694,883 shares, compared to […]]]>

Gray TV (NYSE: GTN – Get Note) was downgraded by StockNews.com research analysts from a “hold” rating to a “sell” rating in a research report released Friday to clients and investors.

Gray TV up 3.4%

GTN traded down $0.48 during Friday’s trading, hitting $14.73. The company had a trading volume of 694,883 shares, compared to an average volume of 717,017. The company has a quick ratio of 2.54, a current ratio of 2.54 and a leverage ratio of 3.64. The company has a 50-day simple moving average of $17.01 and a 200-day simple moving average of $18.24. The stock has a market capitalization of $1.37 billion, a P/E ratio of 11.51, a PEG ratio of 0.35 and a beta of 1.71. Gray Television has a 52-week low of $13.67 and a 52-week high of $25.24.

Gray Television (NYSE:GTN – Get Rating) last reported quarterly earnings data on Friday, August 5. The company reported earnings per share (EPS) of $0.91 for the quarter, missing the consensus estimate of $0.97 per ($0.06). The company posted revenue of $868.00 million in the quarter, versus a consensus estimate of $854.97 million. Gray Television had a return on equity of 9.66% and a net margin of 5.73%. The company’s revenue for the quarter increased 58.7% on an annual basis. During the same period of the previous year, the company achieved EPS of $0.27. On average, stock analysts expect Gray Television to post an EPS of 4.45 for the current fiscal year.

Hedge funds weigh on gray TV

A number of institutional investors have recently changed their stock portfolios. Janney Montgomery Scott LLC increased its stake in shares of Gray Television by 7.8% during the third quarter. Janney Montgomery Scott LLC now owns 14,591 shares of the company valued at $209,000 after purchasing an additional 1,060 shares last quarter. HGK Asset Management Inc. increased its stake in Gray Television by 10.5% during the third quarter. HGK Asset Management Inc. now owns 41,122 shares of the company worth $589,000 after purchasing 3,898 additional shares during the period. Unison Advisors LLC increased its stake in Gray Television by 32.8% during the third quarter. Unison Advisors LLC now owns 34,133 shares of the company worth $489,000 after purchasing an additional 8,424 shares during the period. Tributary Capital Management LLC increased its position in Gray Television by 6.9% during the 3rd quarter. Tributary Capital Management LLC now owns 982,668 shares of the company valued at $14,072,000 after acquiring an additional 63,786 shares last quarter. Finally, Federated Hermes Inc. increased its equity stake in Gray Television by 17.8% in the second quarter. Federated Hermes Inc. now owns 259,023 shares of the company valued at $4,375,000 after acquiring 39,115 additional shares during the period. 80.61% of the shares are held by hedge funds and other institutional investors.

About Gray Television

(Get a rating)

Gray Television, Inc, a television broadcasting company, owns and/or operates television stations and digital assets in the United States. It also carries secondary digital channels affiliated with ABC, CBS, NBC and FOX, as well as various other networks and program services, including CW Plus Network, MY Network, the MeTV Network, Justice, This TV Network, Antenna TV, Telemundo, Cozi, Heroes and Icons, and FILMS! Network; and local news/weather channels in various markets.

Recommended Stories

This instant news alert was powered by MarketBeat’s narrative science technology and financial data to provide readers with the fastest and most accurate reports. This story was reviewed by MarketBeat’s editorial team prior to publication. Please send questions or comments about this story to contact@marketbeat.com.

Before you consider Gray Television, you’ll want to hear this.

MarketBeat tracks daily the highest rated and most successful research analysts on Wall Street and the stocks they recommend to their clients. MarketBeat has identified the five stocks that top analysts are quietly whispering to their clients to buy now before the market spreads…and Gray Television wasn’t on the list.

While Gray Television currently has a “Buy” rating among analysts, top-rated analysts believe these five stocks are better buys.

See the five actions here

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The world’s first television series spurred America’s television boom 75 years ago https://carolchanning.org/the-worlds-first-television-series-spurred-americas-television-boom-75-years-ago/ Thu, 27 Oct 2022 13:09:09 +0000 https://carolchanning.org/the-worlds-first-television-series-spurred-americas-television-boom-75-years-ago/ (The Conversation is an independent, nonprofit source of news, analysis, and commentary from academic experts.) (THE TALK) Boston Red Sox catcher Carlton Fisk desperately waves his home run to stay in play. Los Angeles Dodgers outfielder Kirk Gibson pumps his arms as he hobbles around the second base after beefing up a home run off […]]]>

(The Conversation is an independent, nonprofit source of news, analysis, and commentary from academic experts.)

(THE TALK) Boston Red Sox catcher Carlton Fisk desperately waves his home run to stay in play. Los Angeles Dodgers outfielder Kirk Gibson pumps his arms as he hobbles around the second base after beefing up a home run off Dennis Eckersley, Oakland’s closest dominating A. The ball on the ground hit by New York Mets outfielder Mookie Wilson jumping between the legs of Red Sox first baseman Bill Buckner.

Some of the most dramatic images in World Series history are seared into the minds of baseball fans through television coverage. This year’s World Series between the Philadelphia Phillies and Houston Astros is sure to bring another timeless highlight to the estimated 12 million viewers expected.

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The Tigers will conclude the fall season on national television at the prestigious East Lake Cup https://carolchanning.org/the-tigers-will-conclude-the-fall-season-on-national-television-at-the-prestigious-east-lake-cup/ Sun, 23 Oct 2022 19:13:24 +0000 https://carolchanning.org/the-tigers-will-conclude-the-fall-season-on-national-television-at-the-prestigious-east-lake-cup/ History links ATLANTA, Georgia – The Tigers will conclude their season this week in front of a national audience at the prestigious East Lake Cup at East Lake Golf Club in Atlanta, Georgia. Every year since 2015, the East Lake Cup has invited the bottom four teams from the previous season’s […]]]>

ATLANTA, Georgia – The Tigers will conclude their season this week in front of a national audience at the prestigious East Lake Cup at East Lake Golf Club in Atlanta, Georgia.

Every year since 2015, the East Lake Cup has invited the bottom four teams from the previous season’s NCAA Championship to play in the event at East Lake Golf Club, which is the site of the annual PGA Tour Championship as well as the home course. of golfing legend Bobby Jones.

This year, the women’s side field will consist of Auburn, Texas A&M, Oregon and UCLA. 2022 national champion Stanford was unable to attend and UCLA, which the Tigers defeated in the 2022 NCAA Championship quarterfinals, will take their place as the event’s fourth team.

“We played very well last year to win the opportunity to play in the East Lake Cup. We have a new team this year after some fifth-year seniors left after last season, so we would like to show how point we worked by finishing the season strong,” said Auburn Junior Elina Sinz. “Personally, I played pretty well and I want to end the fall on a high note. I’m really excited to play.”

Monday’s round will be a traditional stroke play format and an individual champion will be crowned. Monday’s team score will be used to determine the seeding for the match play format which will take place on Tuesday and Wednesday. The winning teams from Tuesday’s matches meet on Wednesday for the final game while the losing teams will play a consolation match.

The three-day event will be nationally televised on Golf Channel from 2-5 p.m. CT as well as streamed on the Golf Channel app.

Auburn Range:

  1. Megan Schofill – 10:43 a.m. CT
  2. Anna Foster– 10:31 CT
  3. Casey Weidenfeld– 10:19 a.m. CT
  4. Elina Sinz– 10:07 CT
  5. Rachel Gourley– 9:55 CT

]]> NFL Films Director of Development and Innovation Joins NYF Advisory Board https://carolchanning.org/nfl-films-director-of-development-and-innovation-joins-nyf-advisory-board/ Fri, 21 Oct 2022 04:59:50 +0000 https://carolchanning.org/nfl-films-director-of-development-and-innovation-joins-nyf-advisory-board/ Jodain Massad The 2023 New York Festivals® TV & Film Awards competition welcomes the National Football League’s Director of NFL Film Development and Innovation to its 16-member Advisory Board. Now sitting on what VP and Executive Director Rose Anderson calls “an international brain trust of innovative storytellers and industry executives whose expertise spans all genres” […]]]>

The 2023 New York Festivals® TV & Film Awards competition welcomes the National Football League’s Director of NFL Film Development and Innovation to its 16-member Advisory Board.

Now sitting on what VP and Executive Director Rose Anderson calls “an international brain trust of innovative storytellers and industry executives whose expertise spans all genres” is Jodain Massad.

“For me, joining such an experienced board is like joining a varsity team,” Massad said. “I want to be a good teammate to earn my place and play my part for a common goal: to celebrate exceptional and innovative content everywhere.”

A veteran executive producer, Massad brings more than 15 years of experience as a brand champion, innovation agent and story maker to the NYF 2023 Advisory Board.

Prior to his current role with the NFL, Jodain served as Executive Producer of Innovation and Design for the University of Notre Dame. During his tenure, he reset the vision and rebuilt Notre Dame’s production culture.

He started his producing career in 2008 with the Kansas City Chiefs. Throughout his years with the organization, Jodain was promoted to various leadership positions in production, including that of production manager. During his 8-year tenure with the Chiefs, he led the team in the production of documentaries, television broadcasting and advertising campaigns.

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